![]() ![]() Or perhaps you just need to split it into 50 clips. This should leave you with your 50 clips on v1 and the 50 logo edits on v2. I do this with one file, first so that anything I batch next will inherit those setups.Ī) make a sequence with you long clip on v1 and your logo on v2ī) resize, position, and adjust the opacity the 1 long logo clip so that it is they way you want it for all your clips.Ĭ) using the razor tool (or ctrl/cmd k) you can add razor edits across both tracks) and extract (rippling) edits to get rid of all the parts you don’t need. It’s good practice to initially set AME up with the encoding preset you want to use and set the preferences for the defual render location. ![]() □ĬS5.5….well that adds some wrinkles….no logo overlay in AME in that release… I hope this has been corrected in a newer version or perhaps there’s a better way in CS5.5 and the shortcoming is with me. You shouldn’t have to go re-engage the original source file. I think when working with the source file in the source monitor and creating a new clip (setting in/out points) that when you next select “new sequence from clip” it should work. So this added back and forth from source monitor to the source file in the project bin is frustrating (keep in mind I’m doing this 50 times a day). ![]() So now I have to mouse over and re-click the source file in the project bin and then the shortcut “new sequence from clip” works. I then press my keyboard shortcut for “new sequence from clip”, but Premiere has “greyed out” the shortcut because by working in the source monitor it disengages the source file in the project bin. Perhaps a newer version has resolved or you know a work around in CS5.5?įirst I set the in/out points in the source monitor. I found a way to expedite and create new sequences but it seems a bit excessive due to limitations on Premiere Pro CS5.5. ![]()
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